2011 has run itself out. The world will not slow down. A whole sea of wonderful things happened this year, as did some not-so-wonderfuls, but that's the way it goes. I'm hugely grateful for all the kind and funny people in my life--and look forward to more in 2012, where ever it takes us. Thanks for stopping by--happy new year!
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-Sandra Beasley reviews Traci Brimhall's book Rookery in the new issue of Blackbird , which also has some of Traci's lovely poems, as well as excellent new work from Matthew Nienow, Erica Dawson, and Malachi Black. Go get you some.
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I am now going to proffer some little things that may combine in your mind to mean something, or not. They may mean something discretely, or not. They may combine better in an order I do not have the wit to determine, but that is okay, since you are having to hear them in the air where they are already subject to the Brownian motion of podium slur and so are already combining in the weird indeterminate order of the misheard and the partially heard. I grasped Brownian motion before flunking out of chemistry school. Had the mother-in-law who powdered herself so prodigiously spilled talc into the toilet, a distinct possibility given the liberality of the dusting of her cruller, you could have seen the talc move on the toilet water in what is called Brownian motion. If there is calculus to describe Brownian motion I mercifully flunked out still innocent of it. That one can even now utter the clause “if there is calculus” is an indicator of supreme naivete because there is calculus to describe everything, which is why, aside from reading Mr. Williams when I was supposed to read Mr. Morrison and Mr. Boyd, I flunked out of chemistry school. I am going on about this now not merely because of my giant reluctance to start the Craft Talk without Craft but also because remaining innocent of things is in my view an important part of writing, which will become clear if I ever start the talk.
-Padgett Powell's winding and wonderful craft lecture from a recent visit to Columbia University.
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In fact, I don’t want to consider erasing any of the poets she includes; since we’re in virtual space, for now, hurrah for abundance. Let them stay; we can simply agree to disagree about who the rising stars might be. I think Dove should, however, come clean about two categories she refers to – the too-expensive poems and the buried antipathies. It would be valuable for me to know exactly what poems and poets were disqualified for economic reasons. It must have been frustrating to know that, although she was engaged to render a personal, rather than a consensus, anthology, she would be constrained by inadequate funds. If she would reveal those expensive works, we could see more clearly what her ideal anthology would have looked like. I would really love to see her ideal Table of Contents.
-Editor R.T. Smith weighs in on the Penguin Anthology
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************ Powerhouse.VIDEO
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