Wednesday, February 15, 2012

Silly, Joyful Tune

Living amid so much beauty is thrilling and exhausting.

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Over the next two years, Sugar’s fans—a devoted readership that includes more than fifteen thousand Facebook and Twitter followers—learned bits about who she was. She was a she. She had lost her mother far too early. She had children, a husband, student-loan debt, and a seemingly inexhaustible supply of open-minded, honest advice. Her responses covered jealousy, the decision to have (or not have) children, drug addiction, and the unanswerable questions of life. On Tuesday night, at a coming-out party in San Francisco, Sugar formally introduced herself as Cheryl Strayed, a writer living in Portland whose new memoir, “Wild,” will be the Rumpus Book Club’s pick for March. She recently took time to answer questions on anonymity, intimacy, and her relationship with her readers. An edited version of the exchange appears below.

-An interview with Cheryl Strayed, who was recently revealed to be Sugar. You can watch the whole "coming out party" here. And here's a beautiful Cheryl Strayed essay from The Sun: "The Love of My Life"


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-An elegy by Dave Lucas, in Granta


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-an interview with W.H. Auden, from the Paris Review archives


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Lynn engages a prescient point: are literary magazines an end, or a means toward an end, for writers? From an economic standpoint, he reaches a practical conclusion, shared by most writers involved in the submission process: while publication in literary magazines might be an aesthetic end, it is no means an economic one. Since “many authors today hold academic positions… promotion in the academy often depends on generating vitae with lists of publications that otherwise have earned them little beyond the price of a meal or two.” The obvious irony needs to be unpacked. Scan the contributor notes of any contemporary literary magazine, and you will find Lynn’s statement true: writers are often employed by university English departments, or are students in MFA programs affiliated with those departments. Other than a few and often notable distinctions, the economy of literary magazines appears to be a closed system: writers publish in literary magazines that are often read by writers. Money is tight, payment is low, and subscriptions and institutional support appear to be the final hope for sustenance. Does it have to be that way?

-Nick Ripatrazone over at The Millions

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Sunday, February 12, 2012

A Minister Will Build A Sermon

I'm excited about going to Chicago in March. Mainly because I'll get to stay in a hotel, eat deep dish pizza, and see old friends.

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-R.H.W. Dillard's "Going Out Into the Crazy" from Blackbird


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-via NPR


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-via The Atlantic

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Reading Didion was a revolution to me not only because of the beauty and depth of her prose, but because it also opened up the idea that I could be something more than what I was — a white girl from suburbia who had done nothing in college (or life) beyond pledging a sorority and getting drunk at frat parties. During my time at one of the most famous universities in the world, I had joined no causes, protested nothing. For this, I was deeply ashamed. Then I discovered that Didion and I had a few things in common. She was a self-proclaimed nobody from Sacramento. She pledged the Tri-Deltas at Cal and wasn’t sure what else to do with herself there. She famously writes that when she started reporting, she was so small and quiet, people forgot she was in the room. I wasn’t small or quiet, but I felt just as invisible most of the time. Reading Didion hinted at the possibility that I was perhaps more interesting than I realized, that eventually I might have something to say. It would take me years to manifest this idea, but in the meantime, I spent many afternoons staring out my bedroom window of my sorority at the Tri-Delt house across the street. I used to imagine Didion there, back she was lost and still a girl. I could almost see her hiding behind her signature sunglasses on the front porch, smoking cigarettes while absentmindedly smoothing out the wrinkles of her pale pink shift dress, waiting for the rest of her life to happen.


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